Catalytic Clothing Improves Air Quality

While working on our London Air Quality project we’re excited to see fashion is also getting involved in finding solutions. In an amazing piece of high tech innovation, Helen Storey and Tony Ryan have brought science and art together to explore how clothing and textiles can be used to purify air as we walk. The idea of ‘Catalytic Clothing’ is to harnesses the power of a photocatalyst, to break down airborne pollutants, acting as a ‘catalytic surface’.

See their beautiful film starring an air purifying clad Erin O’Connor moving balletically to a Radiohead soundtrack:

On the political side of things the debate around Air Quality is growing. Caroline Lucas wrote an article for Guardian yesterday on the severity of the situation. She says the Government is still lacking the urgency needed to investigate solutions rather than begging for more time. The current threat from the air we breathe is not the obvious smog cloud from the 1950′s, but an unseen pollutant.

Our air quality project collaborator Professor Frank Kelly of the Environmental Research group at King’s College London warned: “we have this new problem that we cannot see: it is tiny particles of nitrogen dioxide.” With this invisibility issue comes the lack of public communication on the dangers of high levels of these pollutants present. Designing engaging communications around Air Quality in our urban environments is what we’re working on here at Creative Data.

However, we are now seeing encouraging movement in the public space on this topic. There’s the interesting Invisible Dust art project and last week a Healthy Air Campaign was launched – a coalition including Asthma UK, Campaign for Better Transport and Friends of the Earth. What’s more we’re writing all this today on the day that UK environmental group Climate Rush is staging an air quality protest in London.

This evening Mayoral candidate Jenny Jones will lead a roadblock protest with cyclists hitting London’s streets to stage a ”die-in” at the city’s busiest junctions. The protesters plan to play dead for up to 29 minutes, to symbolise the 29 000 premature deaths attributed to poor air quality in the UK – nearly 5% of all annual UK deaths.

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Chromaroma – London Underground Visualisation Game

We’re excited to have found the Chromaroma project, a game that makes travelling in London engagingly colourful. Released by digital production company Mudlark, it tracks journey data from Oyster cards on the London Underground. Every time people use their oyster cards, data is recorded by TFL.

When you tap in and out at stations your route and journeys are recorded. This data capture allows ‘players’ to take part in the Chromaroma game. Your journeys can be visualised over time, creating a colourful graphic personal record of your daily journeys.

This is the gamification of commuting. As well as graphically mapping your travel there are also challenges on Chromaroma – competing for the fastest journey times between stations, for instance. It also awards points for getting off a stop early and walking, cycling or travelling outside of rush hour, encouraging exercise and smarter commuting.

Chromaroma is somewhat like the Nike Grid project, which tracked individuals running paths, in its use of real world activity mixed with online gaming and data visualisation. We’re inspired by these kind of projects because in our London Air Quality Project we want to create interactive data layers over urban daily commuter patterns to communicate the levels of pollution in the environment.

Nike Grid visualisation of running paths.

The current Chromaroma season fnishes this Sunday, while the team take a break and update the site with new Missions and Collections for the coming season: beginning again on the 4th of July. Exciting stuff, look out for the new challenges!

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Data Design at Goldsmiths BA Design Show 2011

Among my graduating year group was a great breath and variety of work across disciplines. Of the fellow projects from the show here are some innovative examples of representing information in interesting ways.

Rosann Ling – “Ink Stained Verses”:

Rosann Ling‘s project “Ink-stained Verses” used chromotography to express time in an alternative measurement (see film). Inspired by abstract philosophies of time in literature Ling aims to, “break the boundaries of standard units of Time. Merging the barriers separating past, present and future, and allow the mind to wander and take you to another moment in time.”

Over time, the paper absorbs the water and the ink runs – to symbolise the passing of that moment. “It is beautiful, and very symbolic of things being over, destroyed, almost of the death of time. The finished pieces of ink stained paper are works of art in themselves; a momento of a piece of time that can never be reclaimed.” I think this is a fascinating way to visualise time, producing really beautiful results, each different and unique.

Danny Morgan – “Give Data”:

Danny Morgan explored visualising data from the NHS blood stock to communicate the desperate demand for donors. Green representing a ‘good’ supply, fading to orange when supplies were low. Morgan created this visualisation to help “build an understanding that enables the user to attach emotions to the data.

This will raise an awareness to the urgency of blood donations and gives the user the opportunity to discover when their blood is most needed.” I think this is a great way to engage people with the data, linking them personally through blood type and allowing them to identify particular times when their blood group is low.

Chris Ibbit – “Mining for emotion”:

Something a little more unusual, Chris Ibbit programmed balloons to follow news channels through RSS feeds to physically show how positive or negative the news at that moment was. Every ten minutes the feeds would be scanned and the balloons inflated or deflated accordingly.

There were times during the show that the news was so negative it caused several to pop! I think this is a great installation, acting as a physically reacting device visualising temporary and unpredictable patterns of news stories.

Mor Bakal – “Sonic Sketch”:

Visualising gestures was a really interesting part of Mor Bakal‘s project. The pendulum drawing device made really intricate line drawings which she later translated into beautifully detailed 3D prints.

 

Daiki Ichikawa – “Phantom”:

On a more intangible note, Daiki Ichikawa‘s project about saving data in physical space was a very interesting way of documenting previous events. Ichikawa names these phantoms, he explains his aim to cause “the boundary between digital and physical environments is becoming increasingly blurred. Global Positioning Systems (GPS) allow us to digitally create phantoms in a physical space, for those who are deceased. While watching his short films the effect is surprisingly powerful, walking up to a spot and knowing that here, at one time, someone had died in a car accident.

 

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Nike+ Chips Highlight Urban Running Routes

Being fans of the Nike Grid project in London it was great to see, last week, Nike’s running chips creating another fantastic visualisation on the other side of the pond. Graphic designer Nicholas Felton (yes he of the Feltron Report) enlisted 14 of his students at Manhattan’s School of Visual Arts to analyse the metadata collected by 1,000 Nike+ runs conducted from Sept. 7 to Dec. 21 of 2010. This is demonstrated in a short film showing an incredibly detailed representation of New Yorkers running habits.

This kind of mapping relates to our London Air Quality Project where we’re interested in visualising urban travel/movement patterns in detail. We’re excited to see what information this kind of mapping might produce when overlayed with various data sets such as commuter routes, air quality and emissions. How can we use it to inform and educate people about their health in the urban environment? Watch this space…

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What Does London’s Tube Map Really Look Like?

We came across this interesting article in the Daily Mail (unlikely, I know!) comparing the perceived journey distances using the tube map compared to what the real map looks like and what the actual distances are.

 

According to research by Zhan Guo, a professor of urban planning and transportation policy at New York University, up to 30% of passengers misjudge the shortest journey path, often trusting the tube map more than their experience. Although the tube map visually simplifies, or perhaps just makes it aesthetically pleasing, the graphic design it is actually quite deceptive in terms of station layout and proximity.

 

This amazing live tube map – created by Matthew Somerville- also shows us how different the actual layout of the lines is. Although it is not completely accurate, and slightly erratic, it is quite fascinating to look at.

It’s interesting to see an iconic piece of graphic design such as the Tube Map being shown up for its failings in accuracy of information, but also showing that it more than holds its own in terms of aesthetic appeal. Which do you think is more important in terms of good design?

UPDATE:

Mark Noad sent us a link to his more accurate version of the London Tube map. We like the way Noad has kept the inspiration and graphic clarity of Harry Beck’s original design. Thanks for sharing Mark.

 

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Infographics Brought to Life

A few months ago we found this wonderful example of bringing infographics to life. At Creative Data we love looking for more tangible and creative ways to communicate data.

Peter Orntoft‘s work, shows Danish opinions about wearing religious symbols in the public sector. The use of bright colours, with simple objects in context, works really well and looks great!

More recently we came across this little gem by  Jose Duarte. He has put together a handmade visualisation kit to allow others to experiment and create their own tangible infographics:

Now the average person can get to grips with data and experiment with visualising statistics. This could be a great resource for people to communicate and compare data using physical objects.

With the current domination of data visualisation, it’s interesting to see how designers are exploring new creative ways of displaying data, to stand out from the infographic crowd.

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Tube Data

Hi, my name is Hannah Thompson. I interned at Elio Studio last summer and have come back to work on the Creative Data London Air Quality project having just graduated from the BA Design course at Goldsmiths College. My final year project is a data collecting project on the London underground and in train stations. I did this through drawing, film and collecting digital data to map the underground environment at commuter time.

I visualised this data to communicate the changes in temperature, carbon dioxide and sound that a commuter might experience. This is mapped on the Overground, Jubilee Line, Central Line, Northern Line at 5.30pm on a weekday. Temperature is indicated by colour, Carbon Dioxide by dots, and sound by the wiggly lines.

The reason I mapped carbon dioxide was to investigate how levels vary particularly at peak time, because high levels can cause sleepiness – something I commonly observed. I wanted to map levels with temperature to suggest a possible correlation and cause of feeling sleepy or groggy on the underground. I think this kind of data could be used to inform tube users of the environment they are going into, and could encourage people to make different decisions about their travel route.

The drawings I did aim to document and reflect an experience of people when moving through the underground and train stations. The details you might notice in a seconds glance on your journey. Someones hair, bag, their outline. In a way documenting the memory of passing through busy spaces.

My stand at Goldsmiths BA Design exhibition 2011.

 

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Nuage Vert – HeHe

Here is a super example of a large scale public piece of data visualization. This environmental installation named Nuage Vert, or “Green Cloud”, was created by French art duo HeHe, and aims to reflect the electrical consumption of residents in Ruoholahti and Lauttasaari, Helsinki.

The installation used laser tracking to project a green illumination, which adjusts its shape and size, onto the chimney emissions of Salmisaari power plant. This lasted a week, during which time local residents were asked to consume less electrically, and as a result, were able to watch the ‘green cloud’ change in size.

It is not clear to us whether the visualisation was connected to real time data, and therefore perhaps it lacks scientific rigour, but we like the way it alerts people to the intangible subject of energy consumption in an innovative way, generating discussion and potentially encouraging positive behaviour change.

On the 27th November 2010, Nuage Vert struck again on home turf, illuminating the emissions of an incinerator in Ivry-sur-seine, France. Let’s hope the UK is next on their list.

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LocalGlobal Thanksgiving

Image by Elevine Lillebuen Berge

Our meticulously planned and scrumptiously executed event LocalGlobal Thanksgiving took place on Saturday. We can’t take all the credit though; the wonderful Alex Haw brought a tasty touch of Latitudinal Cuisine and Yinka Shonibare was kind enough to have Guest Projects host the event.

The whole occasion arose from a decided interest in the relationship between local communities and their respective food cultures. We decided to explore this within the confines of a mile radius, with Guest Projects acting as the centre point.  After a whole lot of researching and many a phone call to Hackney and Tower Hamlets councils, we were able to deduce the five most prominent ethnic cultures within the boroughs: British (East End English), Turkish, Ghanaian, Bangladeshi and Vietnamese.

The prospect of such an eclectic mix of cuisines got us rather excited. With the help of Alex Haw and the greatness of his Latitudinal Cuisine, the idea of everyone creating a dish from one of the local cultures came about. Even better that we were able to tie it in with Thanksgiving.

The evening was a fantastic success with an array of tasty global treats, live Skype link ups from the East (Saigon Vietnam) to the West (Bahamas) and of course, many new friendships were formed.

Image by Elevine Lillebuen Berge

Here at Creative Data we are super excited about the possibility of really getting our teeth into and expanding the LocalGlobal community food project. Our research for the Thanksgiving was completely fascinating; some of the people we came across whilst gathering data for our placemat were simply charming.

It is our intention to expand on this research, collecting data at both a statistical and personal level, and, through workshops, talks and exhibitions we aim to create something reflectively enriching and engaging that we can present back to the local communities. It is our hope that this will lead to the creation of a replicable model for other areas of London and other cities in the UK as a result.

Photos of the LocalGlobal Thanksgiving are on Flickr

Image by Leonora Oppenheim

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Jill Sylvia: Paper Cutouts

We have been extremely busy this last week working on our collaborative LocalGlobal Thanksgiving event, so our sincerest apologies for the lack of blogging activity.

Having said that, we have found a beautiful piece of artwork that more than makes up for this neglect.

Jill Sylvia has created these wonderful lace-like books and installations by taking official printed works and cutting out the blank spaces in fine detail. We love how the pieces’ aesthetic delicacy juxtaposes with their business origins. A lovely image is created through the creation of negative spaces; the negative space of data, you might say. Where once meticulous and methodically organised information was or should be, we are left with nothing more than hollow spaces and empty spreadsheets. It’s strangely liberating.

[via designboom]

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